Hurt feelings and face paint

We are at the Basin Harbor Club in Vermont. This is a marvelous place for families, totally oriented towards kids. Tonight was a barbecue with all kinds of activities for the children – bouncy castle, face painting, games, prizes, hayrides, etc. Towards the end of the evening, Grace came running across the field towards me, eyes streaming, visibly crying. I was talking to a friend who coincidentally is here too, standing with her 2 year old.

“What’s wrong, Gracie?” I asked.

“Whit threw the sticker I gave him on the ground!” she sobbed, hiccuping between words. The story, as I gathered it from her broken and interrupted telling, was that she had selected a sticker for Whit for her prize and he’d rejected it. She bawled that she would have chosen something else if she knew he was going to throw it on the ground.

“Hey, Grace, what if you gave the sticker to Bodhi?” I nodded towards the 2 year old, who was watching Grace, transfixed.

She immediately stilled. Considered the idea. She shrugged and proffered the Star Wars sticker to the little guy, who took it from her hand with a huge smile. He leaned in towards her shoulder and kissed it. “Fank you, Gwace,” he murmured.

I thanked my friend, grateful for the kindness of her son. Grace tugged at my hand, face paint streaked with tears, dragging me towards the ice cream line. My friend and her son came with us, and introduced us to her father, standing behind us. They then drifted away. As Grace and I stood in line, her tears came again. She reiterated that Whit had hurt her feelings.

“Grace, there are going to be a lot of hurt feelings in your life.” she looked at me, chin trembling. “I can only promise you this: most people don’t mean to hurt your feelings. Remember that,” I wiped a tear away from her cheek, coming away with black and orange paint on my finger.

“And there will be lots and lots of wonderful feelings too,” chimed in my friend’s dad with a rueful smile. “Lots.”

Yes, there will, Gracie girl. Lots of hurt and tons more joy.

And lighten up, Lindsey!

Witty Whit

Right now my head and heart are running dry. I feel exhausted in a bone-deep way. The words are eluding me.

But this kid? Well, he’s priceless. He can be serious, but usually, he’s not. The material keeps on coming.

****

He didn’t fall asleep last night until 9:30, and for about half an hour before that lay in bed singing California Gurls to himself. Grace somehow can tune him out, which is a skill that I’m pretty sure she’s had to develop to survive. Then he got up at 5:30 and started talking. At 7:20, as we walked into breakfast, I think it’s possible that my normally impenetrably calm, Zen, mother-of-the-year facade cracked slightly. Responding to this, he stopped in his tracks.  He sighed, resignedly, and said, “OK, Mummy, how about I give you a break from questions for a while?”

Sounds good, Whit.

****

The other day Whit was short-circuiting from being tired and overwrought and generally falling apart. He was half-whining, half-crying, dragging his feet as we walked home from the camp bus. He finally burst out, “Mummy! I’m hungry! I’m tired! I am thirsty!” He sobbed.  “I don’t know what I am, but I’m something!

That’s a feeling I know.

****

Apropos of absolutely nothing, on the long airplane ride home from Legoland, Whit elbowed me urgently.

“What?”

“Do you know what the problem with turtles is, Mummy?”

What??

“The problem is they have short legs so when they flip over onto their backs they can’t get back over.”

I tell you, spending an hour inside his head would be comedy.

****

Last week, after dinner, when I was trying to wrestle Whit into the submission of sleep, he began agitating that he was hungry.

I glimpsed a pretzel from a couple of hours earlier on the floor. I scooped it up without his noticing (I thought) and handed it to him. “Here, eat this.”

We walked upstairs towards the bath. Through his mouthful, Whit asked me, “Did you just give me food from the floor?”

“Yes, Whitty, I did,” I sighed. “That’s just the kind of mum I am.”

“That’s the kind of awesome you are!” he exclaimed.

Monsters

I’m thrilled to feature one of my favorite posts by one of my favorite bloggers today.  Corinne from Trains, Tutus, and Teatime agreed to let me share her post, which for some reason (since that title doesn’t appear anywhere) I’ve called “Monsters” in my head.  This is a classic example of Corinne’s ability to “see into the life of things” (WW) which is only one of the reasons I love her.  She writes about her children, her relationship to the beach and to nature, her sobriety (seven months now!) … really, she writes about nothing less than the meaning of life.  Beautifully, eloquently, insightfully.  I’ve been fortunate to spend a bunch of time with Corinne in person and she’s even more lovely, gentle, soulful, and wise than you’d imagine from reading her gorgeous words.  I’m honored to call her my friend.
Please enjoy Monsters, and do click over to Trains, Tutus, and Teatime.  You won’t regret it!
Courage

Fynn tip toes through the hallway of his grandparents house. Textured white walls, cool for the Florida summers, snapshots of his and his sisters babyhoods hung in every room. Only starting to become familiar with the rooms and space, he ducks into a dark, windowless bathroom. He’s looking for shadows…. for Monsters. Armed with a blue flashlight as big as his arm, and a grin, he looks behind the door.

“Monsters!!!”

I ask if he’s scarred. He’s not.

“They’re just shadows, Mommy. Now lets find that cave!”

And off we go down the hall to my parents bedroom, facing shadows turned Monsters turned back to shadows with the glare of a beam of white light. My three and a half year old walking with a bobbing head and dance in his step, full of courage as he tames fears and darkness.

~~~~~

We’ve seen the episode of Curious George at least a hundred times. Monsters in the dark, George frightened and the Man with the Yellow Hat saving the night with a flip of a switch. Shadows from every day objects brought Monsters to life for George. The power goes out at the house in the country, lights unavailable, flashlights found and turned on, George is able to take care his Monsters by himself. Or maybe the scene happened in a cave, or was an entirely different episode. They all blend together in my mind, watched during the pre-dinner rush of dishes and pans waltzing from counter to stove to sink.

~~~~~

The dark hours are the times I struggle. The strength and courage I face the day with dwindles as fatigue sets in. Shadows of memories turn to Monsters. Finding a safe flashlight, one with a clear beam, is the biggest challenge of my recovery from alcoholism {or is it with? It’s never going to disappear… over three months into sobriety I still have trouble with the lingo}

The old source of light came in the form of a bottle, smelling sweet and acidic. It only smudged the Monsters, leaving them blurry enough so they blended into the walls and I could sleep. Not comfortably but I slept, though they were always there.

Now I don’t sleep. I’m learning, slowly, how to face them with a new light, a new source of power and clarity. Perhaps a lighthouse beacon instead of just any old flashlight… Facing them with this new illumination is difficult. It takes patience to steady my shaking hand, to quiet the mind and see and listen and turn them back into shadows inch by inch. But it takes time, and many nights staring at the walls and ceiling, in silent prayer and mediation. Hoping for a miracle within myself, or for The Man with the Yellow Hat to come walking in and calmly turn on the light.

~~~~~

We spend twenty minutes giggling and looking for Monsters. Searching cave after cave. Breathless, I ask him where he learned to be so brave, where he found his courage.

“George, Mommy. George goes into the cave with a flashlight and he’s not scared anymore.”

I’m arming myself with a flashlight, shining a beam of three and a half year old courage and bravery, hope and acceptance, onto the dark walls that house the Monsters. Created by years of numbing and shoving elsewhere, they’re on their way to becoming shadows again. It’s about time.

High Flight

My father’s brother, Jonathan, died in the 80s at the age of 36. I don’t remember very much about his service (I was 8 or 9) but I do remember my father, brown-haired and glossy-eyed, wearing a dark suit, standing at the pulpit of the church and reading High Flight by John Magee. His voice was steady but full of emotion, and I recall like it was yesterday gazing up at my dad from the hard wooden pew next to Hilary. It was one of those moments that I felt like I was floating outside myself, watching, even as I experienced it. I had never heard High Flight before, but I’ve heard it many times since. And every single time, I’ve thought of Jonathan, who was a blue-eyed engineer, a passionate glider pilot who loved the skies and his two blond boys in equal measure.

Today, walking through the Shelburne Museum in the pouring rain, I was stopped dead in my tracks by a plaque bearing the names of soldiers lost in World War II and the words of High Flight. My voice caught in my throat as I paused and told Grace and Whit all that I remembered about Jonathan. In the most unexpected place (northern Vermont in the rain) I found myself thinking of my dad, and his brothers, and the ways that both the ocean and the sky can introduce us to divinity, and the way that tragedy can swoop down and alter our lives forever.

High Flight

Oh! I have slipped the surly bonds of earth
And danced the skies on laughter-silvered wings;
Sunward I’ve climbed, and joined the tumbling mirth
Of sun-split clouds – and done a hundred things
You have not dreamed of – wheeled and soared and swung
High in the sunlit silence. Hov’ring there
I’ve chased the shouting wind along, and flung
My eager craft through footless halls of air.
Up, up the long delirious, burning blue,
I’ve topped the windswept heights with easy grace
Where never lark, or even eagle flew -
And, while with silent lifting mind I’ve trod
The high untresspassed sanctity of space,
Put out my hand and touched the face of God.

- John Magee, 1941

I am flashing like tinsel

I mean, by such flightiness, something that feels unsatisfied at the center of my life – that makes me shaky, fickle, inquisitive, and hungry.  I could call it a longing for home and not be far wrong.  Or I could call it a longing for whatever supersedes, if it cannot pass through, understanding.  Other words that come to mind: faith, grace, rest.  In my outward appearance and life habits I hardly change … But at the center: I am shaking; I am flashing like tinsel.

- Mary Oliver (Long Life)

How sheer the veil is between this life and another

Matt has had a lovely assistant, M, for four years. I’ve spoken to her thousands of times (at least) on the phone, and I finally met her a couple of weeks ago at the firm’s summer event in Chatham. She was friendly and warm, her voice familiar even though her face was new.

M died last night. She was 39 and left two children in their early teens. It was entirely unexpected.

I feel sad today, for her, for her family, for the abrupt loss of someone who had so much ahead of her. I feel as though something chilly has brushed past me in the dark, something I can’t see but something I can feel. Yesterday, I spoke to her. Today, she is gone. Where? My mind still struggles with this truth, which is maddeningly abstract and painfully concrete at the same time.

I also feel keenly, shiveringly aware of how close we all tread to the line of our worst nightmares every single day. The yawning terror of what might be, of that we most dread, exists just off to the side of our lives, and though we skirt it and forget it it still threatens. We live on the precipice, walk on a tightrope, exist in a world where the boundary between normal and tragedy is far more gossamer and fragile than we ever let ourselves imagine.

Death has actually been on my mind since my Aunt E’s funeral, actually, and since a dear friend lost his mother unexpectedly in July. As I sat in the pew at my aunt’s memorial service, I thought about how there are many more funerals ahead of me than behind me. And when my friend’s mother died I had an eerie sense of what is to come as the generations fold and my peers and I take our place at the head of the line. Both of these thoughts give me goosebumps, and not in a good way.

I’m sorry for this not-at-all-upbeat post. It seems incongruous, as I sit here on vacation, waiting to pick my boisterous, tired, and sunburned children up from the bus that bears them back from summer camp. But that is the point, I guess: to remember, always, how sheer the veil is between this life and another, between good news and terrible, between just another regular day and the day it all grinds to a halt.

There’s only one way to honor those who have stepped through this veil, one way to turn this tragic reality that flickers at the edges of our experience: to use the awareness of what might be, and of the proximity of the chasm, to heighten our awareness and celebration of the days that we remain safe. To remember, always, those trite sayings that are also so achingly true: today is all we have. Seize it. Take nothing for granted.

I’ll be hugging these two extra hard when they get off the bus today.

Where I’m From

I am from a glass-fronted bookcase full of antique red-spined Baedeker guidebooks, a black and white photograph of my mother sailing a small dinghy at the age of eight, and the smell of pipe smoke.

I am from a Victorian two-family home in North Cambridge with a turret, one bathroom, a back hallway that my sister and I painted one summer, a short-lived guinea pig called Caliban, and a navy blue Volvo that I coaxed to life from the backseat on winter mornings, chanting “Go car, go!”

I am from a French school with a tall green gate and a rabbit by the front door, from a playground with a baguette under my arm, from the pond in the Jardin Luxembourg where people sailed their remote-controlled boats.

I am from an all-girls school London with an intimidating brass door handle, an elegant marble-floored “Great Hall,” and the soaring voices of hundreds of girls singing “Tomorrow shall be my dancing day” in a candlelit December evening.

I am from the top of a European church spire, the crypt of the basilica in Assissi, and a formal confirmation ceremony in St Paul’s Cathedral.

I am from a tiny apartment in Paris with thick velvet curtains full of dust and ladies of the night in the entryway, from a garret ballet studio with an elderly teacher barking commands, and from a tiny Thanksgiving roast chicken with a single strand of cranberries draped on its back.

I am from a linoleum-floored kitchen where you wait to go to the garden to cut the asparagus until the water is already boiling and a rose-strewn back porch with a big picnic table and a swing that rocks back and forth on springs.

I am from albums upon albums of family photographs, all anotated in my father’s fountain pen script, from two ceramic angels hanging on the living room bookcase, from an annual solstice celebration on December 21st at 11pm.

I am from Mount Gay and Nantucket Reds and Bird Island lighthouse and eight children piled into a ranch house on a point in Mattapoisett, Massachusetts.

I am from Priscilla and Henry and Janet and Lawrence, from Susan and Kirtland, from Rhode Island and Long Island, from a thick, much-paged hardcover book with “Whitman” embossed on the red cover in gold leaf.

I am from sailors and engineers and Yankees, from frugality and pride and hard work. I am from traveling around the world to come back to right where I started.

Inspired by this template, the exercise of which I love.

The volume of the world turned up a notch

I read Gail Caldwell’s Let’s Take the Long Way Home yesterday in one long, breathless gulp. The book is an elegant evocation of a true friendship between women, a heartbroken eulogy, and an unflinching exploration of what life looks like on the other side of an unimaginable loss. Written in Caldwell’s absolutely glorious prose, Let’s Take the Long Way Home is also a set piece of and love letter to my home town, Cambridge.

There’s much to talk about in Caldwell’s book, but what I am thinking about tonight is the way she describes the initial bond between Caroline Knapp and herself. She describes her early observation that in Caroline’s voice there was “restraint that suggested wells of darkness behind all that mannered poise,” an image I adore. The women shared a host of similiarities, in both their temperaments and in their narratives, that bond them quickly and deeply.

On page 20 my breath caught in my throat:

For both of us, in different ways, the volume of the world had been turned up a notch. Whether this sensitivity functioned as a failing or an asset, I think we recognized it in each other from the start … She was so quiet, so careful, and yet so fully present, and I found it a weightless liberation to be with someone whose intensity seemed to match and sometimes surpass my own.

Oh, the shelter and immense relief I feel when I find someone like that. There aren’t many, but they are treasured. I’ve spent much of my life feeling that I ought to moderate my intensity, that my sensitivity is just plain annoying at best and an outright liability at worst. Later in the book Caldwell quotes an old boyfriend of hers who said, as their relationship neared its end, “You know, sometimes the light of you is just a little too bright.” I identify with this: not in the “good” sense of light, but because it reminds me of what my father has always said about me, that being with me is like drinking from a fire hose. It’s a question of being unable to moderate myself, my intensity. Sometimes I wonder if my shyness and quiet affect when I meet new people is a way of compensating for this, a way of hiding the firehose for as long as I can. After all, who would want to be drowned in the onslaught of my neurosis, observation, personality?

Caldwell describes another facet of Caroline that resonated very deeply with me.

When she was confronted with any emotional difficulty, however slight or major, her response was to approach rather than to flee.

This makes blinding sense to me but it’s another quality that I’ve been both misunderstood and judged for. A friend once referred to an argument as a burning building and I said without hesitation that I would run into it. This quality can come across as confrontational, for sure, and it has led to some raised voices and heated conversations where perhaps none were merited. But it is a rare relationship in my life that suffers from an undercurrent of unresolved tension. As Caldwell goes on to say, “silence and distance were far more pernicious than head-on-engagement.”

There is so much I want to say about this beautiful book. Tonight, though, at the close of a birthday that was somewhat sadder and more complicated than I would have chosen, its most reassuring message is its assertion that there were at least two women out there in the world who might not have shamed me for being intense, sensitive, and determined to resolve conflict.

That’s really what it is, now that I write it: shame. Shame that I messily emotional, unable to keep my sensitive skin shielded, to remember that it’s not all about me. Every intellectual explanation that makes crystalline sense in my mind crumbles in the face of the powerful emotional response of my heart. I think the task now is to identify the ways in which these weaknesses – that I even code them, instinctively, as such, speaks volumes – could be contributors to strengths. I need to find ways to numb slightly the intensity, sand down the edges of the sensitivity, though I wonder how to do this without simply blunting who I am.

There’s no neat conclusion here, only a devout and heartfelt thanks to Gail Caldwell for making me feel, in a very real way, less alone and less crazy. I am comforted knowing that women like she and Caroline are and were in the world. I admire their friendship, made up of such profound connection to and dedicated, patient witness of each other. Their lives ran together in a deep and sturdy way, and the loss that Caldwell experiences at Caroline’s death is the topic for another whole post. Most of all, though, I’m grateful to Caldwell for allowing me to believe that there are out there people for whom I am not too much: too messy, too intense, too brittle, too fragile, too sensitive, too, too, too much.

Towards the radiance

This has been a marvelous summer in many ways. I’ve really let myself sink into life at home with Grace and Whit, and I’ve been fortunate to do some special things with them that I hope they will always remember. They have each commented to me that they like having me around more, a comment which delights and saddens me at the same time (I am going back to work in a few weeks). The kids seem taller by the day, both are tanned, relaxed, and happy, and their relationship is developing into a true friendship (though of course the non-stop fighting has not changed).

It’s also been a strange and somewhat sad summer, an interval of time suspended between two realities, between the known and the unknown. Newness and change hover on the horizon, and as we move towards the end of August the shadows they throw grow ever longer. The summer always feels a bit apart from regular life, and that has been even more true than usual this year. There’s something safe about that knowledge, but also something sorrowful. This special time draws to an end and I feel its closing in my bones, like the sudden chill in the evenings and the infinitessimally different angle of the sun.

We still have three weeks left, but a part of me is already lunging towards the fall, wishing the changes would just come already rather than continue to lurk around the corners of my days. I’ve begun to feel that preemptive anxiety that always robs me of the riches of today. I wish I could push the insistent awareness of what is coming out of my field of vision, so that I could purely inhabit the days that still lie between me and that future. I’ve never been good at that, though.

Today is my birthday, signaling the clanging shut of another year, and the promise of another (oh the blessing it is that this is so – I know it, I do). Mid August seems to be when peoples’ attentions shifts towards fall, despite the fact that we are still deep in long hot summer days. A perfect analogy for me, I think, and the way I exist both here, now, but also in the future (and the past) in a way that sometimes occludes the radiance of my ordinary life.

“What will be will be well, for what is is well.” (Walt Whitman, thank you to Glenda Burgess for the reference).

Onward. Into the unknown – and the unknowable. Towards the radiance.

Whit, missing things, people, and places

I’ve written an awful lot about Grace’s sensitivity and old-soul tendencies. This summer, however, this summer of adventures and trips and full to bursting with memories, it is Whit who is more often exhibiting a nostalgia and awareness of life’s bittersweetness.

About a month ago in a conversation about dogs, the kids mentioned Parker, who was Matt’s twin brother’s family’s dog. Parker, a good-natured, easy-going yellow lab, who was absolutely beloved of my children, died a couple of years ago. I can’t remember exactly the context in which Parker came up earlier this summer, but I remember that Whit noted sadly that he had died. He was quiet after that, pensive. On our drive home I asked him what was on his mind, and he shrugged, looking out the window, and said, “Parker.”

“I know, Whitty, I know. It’s sad.”

“Why do we have to have people and things in our lives that will go away, Mummy? I almost wish I hadn’t known Parker because then I would not miss him.”

***********

We landed at Logan from Legoland at 8:30pm. We had left our hotel at 7:10am that morning. Even with the 3 free time-change hours, that’s a long day in the air. Needless to say, once we had gotten home and eaten, Whit was exhausted. I put him to bed curled up around Lego the big green bear and assumed he would pass out immediately.

Instead, after about 20 minutes I realized he was crying in his room. It’s uncharacteristic for Whit not to come out whenever he has the smallest excuse to do so, so I was surprised. I went in and lay down next to him on his bottom bunk.

“Whit, what’s wrong?” I whispered.

“I miss Legoland! I miss …” a hiccup, “The hotel! And all the fun we had there!” He was crying hard, clutching Lego to his chest.

“I know, Whit. Me too.” I rubbed his back and felt my own tears come.

“I hate that that trip will always be over, Mummy. We can never have it again.”

*******

Tonight, I put Whit and Grace to bed early. They came home from a week in Vermont with their grandparents exhausted and delighted, tripping over each other in their excitement to tell their stories, and each clutching some brand new stuffed animals. Once again I assumed that the boy who fell asleep in the car (with a chicken mcnugget clutched in his hand, no less) would go right to bed.

Wrong. He popped out of his room and peered down the dark hall to me sitting at my desk. “Whit?”

“I can’t sleep.”

“Okay. Let me come in and help you.”

“Will you cuddle me?”

“Of course.” I lay down next to Whit again, smiling at the robot sheets that have made me smile every day for years. I rubbed his birdlike shoulders as I whispered to him. “Whit, just think of some happy things,”

“I can’t,” he wailed.

“Yes, you can. Think about the fair yesterday with Grandma and Grandpa.”

“But that makes me sad, Mummy,”

“Why?”

“Because then I miss it. I can’t think of anything good because I am sad it’s over. If I think of anything bad I get nightmares. So what should I think about?”

Oh, Whit. I don’t know. I think your pulse throbs, like mine, with the heartbreaking, irrefutable reality of life’s endless farewells. This isn’t the first time your melancholy has flashed through your light personality this summer. I’m realizing that both you and your sister have inherited from me a heavy freight, and I wish I could take it for you, my blue-eyed boy, believe me, I would if I could. I wish I could carry the ballast that sometimes weights your soul; I know exactly how it feels, and I wish you didn’t.

I’ve lived my entire life this way, every joyful moment has had a strand of loss woven through it. I wish you didn’t have to ever know sadness or miss something, but I can’t take that away. What I know is that you can’t avoid the love, the joy, the happiness, for fear of the loss and sadness that will follow when they are over. You just can’t.  And I know you’ll have losses and pain far, far greater than missing Legoland or Parker.  I flinch to think of that, but I know you will.  I think often of the line from Shadowlands:

The pain now is part of the happiness then.  That’s the deal.

What I also know, Whit, is that this is a good way to live life. It’s the only way I know how.