I was one of those kids

I saw The Race to Nowhere last week.  I was tremendously moved by it.  I’m not sure I know what to do, precisely, with my ever-stronger sense of how I want to parent my kids.  There is a doctor of adolescent medicine in the film who says even he, a specialist who writes books about the toxicity of pressure on our kids, worries about how to walk the line between protecting childrens’ childhoods and holding them back.  He worries about the potential harm that his beliefs – supported in his case by all kinds of medical research and a PhD or two – may wreak on his daughters.  I worry too, and I have only my – albeit strong – intuition behind me.

The movie made me feel concerned about Grace and Whit, but the anxiety I feel about them comes from a profoundly personal place.  I was one of those kids.  I still am.  I was “perfect” in the achievement sense of the word.  I got the 4.0 GPA.  I went to Exeter, and Princeton, and Harvard Business School.  I played by the rules, followed the map, achieved everything I aimed for.  My father often comments that it was easy to raise Hilary and I because we went “straight down the middle of the street.”  Be careful, I always caution him: there’s still time!!

I related intensely to the kids in the movie, and to a culture that praises highly performance and achievement.  At one point in the movie a teacher says, in response to parents being surprised when their kids struggle or fall apart or otherwise cave under the pressure: “They all say, ‘but my kid’s a good kid!’  And I always say back, ‘You know your kid’s a good performer.  How do you know they’re a good kid?'”

That’s what I was.  A good performer.  A great achiever.  And you know what?  It didn’t add up to anything.  I’m writing a memoir, in fact, about what it’s like to realize that that kind of life, built on achievement and success and external validation, doesn’t necessarily lead you to happiness.

As Glenda Burgess so beautifully put it in The Geography of Love, “Eventually, I constructed a layered exoskeleton, a coral reef instead of a life.  The structure was there, but the essence was missing.”  This is certainly my personal experience: I realized, in my early 30s, that my model of approaching life, which was all about goals and achievements, was irreparably broken.  I was missing something fundamental; there was an echoing emptiness around the core of my life that eventually I could not ignore.

I think this is what worries me the most about The Race to Nowhere: we are raising a generation of children who don’t know how to tune in, to figure out what the essence of their lives is.  I know.  I am one of them.

Figuring out how to make my way through life without the external guideposts of achievement has been much harder than I ever imagined.  As I’ve said before, I am now navigating by the stars.  And that is much harder than simply being the perfect performer.  So I worry about myriad things that The Race to Nowhere represents: overscheduled kids who have lost their propensity for wonder, exhausted children who are physically harmed by the pressures on them, students who “do school” as opposed to developing aptitude for – and joy in – learning.

Probably most of all, though, I don’t want my children to grow up as deaf to the voice of their soul as I was for so long.  If they want to achieve and do well I think that’s ok – there’s nothing wrong with that in the abstract.  I just want to be sure they know that’s not the only skill that matters, and not to forget to tend to the essence of their lives as they race into the great wide open.

Torn

I am delighted to be included in an upcoming anthology of essays called Torn: True Stories of Kids, Career & the Conflict of Modern Motherhood.

I’ve read a bunch of the essays, and they are smart, funny, wise, and touching.  The authors are a broad array of women who have in common that they are thoughtful, intelligent, and willing to be honest and human about what is a fundamental tension.  My dear friend Kathryn has an essay in the anthology; some of you know her hilarious and tear-jerking blog about life as an attorney and mother of two kids.  If you know her then you love her.  I do.  My other dear friend Katherine is included here, and people, she is the real deal.  The Modern Love real deal, if you know what I mean (I’m still waiting for her to kick me out of our writing group).  I’m pretty amazed, frankly, that I’m in a book with the likes of these two brilliant, beautiful Kaths.

I have written before about the struggle between family and work.  I’ve shared my deeply held belief that this is a privileged, fortunate struggle to face.  I do think, however, that the sometimes simplistically applied work and family categories can occlude what is, in my view, a deeper issue:

I sense something greater here, in the debate about work/life “balance,” a grander theme.  The topic is fraught and complicated, for sure; Lacy called it “volcanic” and I agree with her.  But the reason it’s so charged, I think, is because it probes at our innermost fears about how we are living our lives.  These fears are projected onto the scrim of professional/personal choices, but I suspect they run even deeper than that.  These fears are about the way we engage with the world and with those we love best, and about the way we spend our only true wealth: our time and our attention.

All of these themes and more are explored in Torn.  You’ll laugh, you’ll cry, it’s better than Ishtar!  I promise!

Please consider pre-ordering Torn.

The dark blooms and sings

To go in the dark with a light is to know the light.  To know the dark, go dark.  Go without sight, and find that the dark, too, blooms and sings, and is travelled by dark feet and dark wings.

– Wendell Berry

These Wendell Berry lines have been banging around in my head for a few days.  (fighting – or harmonizing – with Annie Lennox and the omnipresent Willy W, of course).  I so agree with what he implies, with the notion that to really know the dark we have to surrender to it.  We have to let our eyes adjust, which means we must go in without any external light.  And that, in that darkness, there is a beauty that we never imagined.

Berry’s words make me think, first of all, about internal darkness.  Of what it takes for us to really know the darkness there, to gaze into the ragged hole that exists in the center of all of our souls, to push on the bruise, to feel the wound.  Perhaps ironically, for me, I have often described the feeling of that intense darkness as staring into the sun.  It has been the focus of the last months of my life, for sure: relenting in my frantic white-knuckled attempts to control, accepting the way it is and in so doing releasing my desperate focus on the way I wanted it to be.

It has only been when I have really let myself lean into that darkness, accept that my deepest wound is the profound sadness of impermanence, that I’ve started seeing the gifts that are there.  As I sink into the way my life actually is, everyday I find unexpected gems buried in the mundane.  Sure, I also cry a lot more.  Every single day I face the truth that this is the last day that my baby will be 5, the last time I’ll have a Beginner, the last, the last, the last.  I grieve and mourn constantly, far more than I imagined possible.

But there’s also beauty here.  Surprising, staggering, serendipitous beauty.  Divinity buried in the drudgery.  Dark feet and dark wings.

Trust Tending

Kristin Noelle has a new blog, Trust Tending, which is all about what trust means in our lives.  The subtitle of Trust Tending is Reflections, Conversations, and Art to Nourish Life Beyond Fear.  I love Kristin’s writing and her drawing, and think she’s exploring some very important and fertile terrain on Trust Tending.

Kristin interviewed me yesterday on the topic of trust, which is my (very first!) word of the year.  I’m so honored to have my thoughts featured on her beautiful site.  You can find the interview here.  Stay a while and check out Kristin’s whole blog.

Universal Child

I am obsessed with this song.  Obsessed.  Two small, not-at-all-weird things about me are relevant here: I go through phases where I listen to one song, over and over and over again, and I listen to Christmas carols year-round.

This is Annie Lennox’s Universal Child and the words have haunted my thoughts for weeks.  I adore them.  I drove to and from Connecticut on Sunday and I probably listened to this song at least 30 times.

How many mountains must you face before you learn to climb.
I’m gonna give you what it takes, my universal child.
I’m gonna try to find a way to keep you safe from harm.
I’m gonna be a special place, a shelter from the storm.

Don’t we all relate to the mountains that seem endless, a new one rising up just as soon as we’ve scaled one?  Paul Farmer says it best: beyond mountains there are mountains.  Still, I guess, as Annie Lennox implies, we can at least learn to climb.  And then the way she describes wanting to keep someone safe, to provide a shelter, tugs at my heart.  I’ve written before about my desire for someone to keep the world at bay for me, and I also know the feeling of wanting to protect my children.  Don’t we all have a few people like this in our lives, that make us feel, in a fundamental, unshakeable way, safe?  And lately I’ve been thinking a lot about how our worlds can fracture terrifyingly when one of these shelters ceases to be.

And when I look into your eyes, so innocent and pure…
I see the shadow of the things that you’ve had to endure.
I see the tracks of every tear that ran right down your face.
I see the hurt, I see the pain, I see the human race….

I love these lines too.  I think often of the ways we can see in the faces of others all the people they’ve ever been, and Lennox expresses this beautifully.  I love ‘the shadow of the things that you’ve had to endure” which is so personal, and then the powerful universality of how the “human race” can be seen in one person’s eyes.  Our deeply individual experience carves into each of us, shaping us into the unique contours that make up who we are.  At the same time a profound commonality underlies each of our lives.  There is such beauty in the tension and interplay between these two seemingly opposed and yet inarguably true facts.

So much is familiar here.  With Annie Lennox singing in my head, I return to learning how to climb.  Continuing to look for where I am safe, even as I hear an ever-louder whisper that that search may be futile.  Because of my extremely porous nature, I see every day in other peoples’ eyes all the things they’ve had to endure.  And I celebrate the irrefutable bond of our shared humanity, the ways that certain powerful moments and the feelings they carry – wonder, pain, adoration, longing – can sweep all of us off of our feet.

The hurt, the pain, the human race.

I just wish she spoke about the beauty and grandeur that goes along with it.